“A true pioneer, innovator and legend”
The Prodigy frontman Keith Flint has died, aged 49.
As The Sun reports, the frontman was found dead at his home in Essex today (Monday March 4). In a statement, the band remembered Flint as “true pioneer, innovator and legend”.
“We were called to concerns for the welfare of a man at an address in Brook Hill, North End, just after 8.10am on Monday,March 4,” an Essex Police spokesperson told NME. “We attended and, sadly, a 49-year-old man was pronounced dead at the scene.
His next of kin have been informed.
“The death is not being treated as suspicious and a file will be prepared for the coroner.”
An East of England Ambulance spokeswoman said: “We were called at 8.08am with reports of a man who was unconscious in Brook Hill, Dunmow.
“We sent an ambulance officer, Essex and Herts Air Ambulance and one ambulance. Sadly a man in his forties died at the scene.”
Fans, friends, admirers and others within the music industry have since taken online to pay tribute.
“Oh gosh, so sad to hear about Keith Flint,” wrote The Chemical Brother’s Ed Simons. “He was always great fun to be around and very kind to Tom and I when we first started doing shows together. Great man.”
Enter Shikari’s Rou Reynolds wrote: “Keith Flint you bloody legend. The Prodigy were one of the first big bands we supported years ago and Keith single-handedly shattered my presumption that big stars would have an arrogance and aloofness about them. He was so welcoming, sweet and passionate.”
Born 17 September 1969, Flint joined The Prodigy in 1990 – before they found fame and acclaim for their pioneering approach, genre-clash sound, blistering live shows and dark lyrics on 1992 debut ‘Experience’ and the 1994 Number One album ‘Music For The Jilted Generation’. He lent vocals to their first Number One singles ‘Firestarter’ and ‘Breathe’ from 1997’s ‘Fat Of The Land’, which has sold 10million copies to date.
Their last album was the acclaimed ‘No Tourists‘ in 2018.
“This is a brilliant – and brilliantly brutal – collection; pulsing dance music that, for all its heaviness and techno sensibilities, retains a glimmer of pop accessibility because it’s so well pieced together and just so much fucking fun,” wrote NME in a five star review. “Viva The Prodigy.”
This is a developing story.